Ok, in not so many words, veteran actor Naseeruddin Shah, gave a voice to my comment about Bhaag Milkha Bhaag, calling it 'a fake film' ! Hahaha. ok, that's kinda funny. Gotta love this man's candidness! I'm most likely suffering from a bout of heavy self obsession and delusion, but the way I read that interview is, "He's referring to what I wrote in my blog!". So I'm gonna go ahead and give myself a self-validation-self-five.
Tuesday, December 24, 2013
Telly Belly
Heavily inspired by my Mumbai dwelling sister’s blog article on the English television shows that we grew up watching, I
decided to take a break from the 70mm (really?? just after two articles?? Well
the heart wants and does as it pleases.) and take a look at its younger cousin
that sits pretty, often dustily in our drawing rooms. But wait…In true
Bollywood style I claim that my article is a ‘different’ and ‘hat ke’.
Seriously the readers of this article are in for a huge shock! A twist that
will make them hula hoop naked through the streets! Are you ready for it? I’m
not looking English television shows that I grew up watching. I’m looking at
the HINDI SHOWS THAT I GREW UP WATCHING!!!!...Hhhm!!....Hhhmmm???...
But seriously, the article inspiration aside, I have been a
little high on 90’s nostalgia for the past few months. Part of the reason is
that I get daily updates from Facebook groups like You knew you grew up in India in the 90s when… and I read another article that gave me a warm, fuzzy, wrapped-up-in-a-blanket-with-a-cup-of-hot-chocolate-on-a-cold-rainy-afternoon
like feeling about 90’s. Now add to this to nostalgia cocktail, a dose of
current Indian television serials that I happened to catch a glimpse off while
visiting my New Jersey dwelling sister over the Christmas weekend. I felt like
I needed to explain the whole scenario of me catching the glimpse here because
one of my greatest fears is that I am found dead in a ditch, smartphone in
hand, YouTube app playing, Iss Pyyaarr ko
mein kya naaamm du…??? Episode 13…I shudder even as I write this.
Seriously, I can’t stress how badly I wouldn’t want to be found dead watching
those serials.
So this heady cocktail made me think back to the Hindi TV
serials that I or all kids of the 90’s who were lucky enough to have a TV at
home, grew up watching. No offense here. But anyone who grew up in that time knows
how one truly had to be blessed to own things like an Onida TV…… or a Kinetic
scooter with a button start!!..Seriously, you don’t have to kick it???...... more
than two Hot wheels cars!!,…..A HE-MAN ACTION FIGURE!!!!!....., a rubber ball that’s
not lost yet!!!!.....NO…….shoes THAT EMIT LIGHT!!!!!!.... a cycle!!!! A cricket
bat that doesn’t suck!!! And on and on I can go. I guess it’s in all of us to
somewhat romanticize our past, hate our present and demonize our future. But it’s
also in all of us to love our childhood. So I proudly flaunt my love for the 90’s.
RANDOM IDEA: I am going to get an I <3
the 90’s t-shirt made.
But I digress. Coming back to the Hindi TV serials of that
time. Before I get into to the list of shows that I thought back to, I would
like to make a larger point here (Bear with me). I believe off late, a common
sentiment in urban India is that we as a country are regressing. With the
recent SC judgment of reversing section 377, the absolutely horrendous atrocities
that women have been through in the past few years, the idiotic ‘Smoking is
injurious to health’ captions incorporated in movies, shutting off restaurants
by 10.30 pm and other larger issues that I fail to recall right now. Now while
TV shows don’t really qualify to be a part of this discussion plainly based on
the gravity of the issues. And I make no attempt at arguing otherwise. But the common
thread here is the very emotion that I go through while watching TV shows of
today-“What?? Really???...Oh man!!.....You can’t be serious!.....NOOOOO….We got
it right the first time!!”.
And we truly did, I happened to be of age at a time when the
first private cable channels came around in India casting a huge shadow on the tame
public channel, Doordarshan. And man was it a big hit! Gone were the days when
Sunday morning/cricket match was the only time one got real entertainment from
the telly. Gone were the times when housewives had to nap along with Doordarshan
on Weekday afternoons. For the uninitiated, Doordarshan pretty much did not
have shows to cast in the late afternoon on weekdays and since the viewership
was low during those timeslots, they didn’t feel motivated to change that.
Now awkwardly jumping bang on, right into the very point of
this article is my underlying message to the premier private cable channels of
India vis a vis Zee TV, Sony Entertainment Television, STAR TV : YOU GOT IT
RIGHT THE FIRST TIME AROUND! The shows that first came on TV from these
channels had good stories (or at least a semblance of one), great
characterization and above all good acting! This was a time where I imagine
being a TV actor was not uncool. The shows weren’t trying to imitate their
cooler 70mm cousin. There weren’t freaking item songs in the middle of the
episodes! I can’t remember Bollywood actors making cameos to promote their
Friday releases. The characters (at least a good percentage of them) were grey
and not black and white. Sure, the excess melodrama existed, but the milieu of
the shows was still relatable. I can’t recall excessively gaudy sets or
excessively noisy background scores. I remember that characters could be nice
people and still enjoy a smoke or have an affair out of a loveless marriage or
even a perfect marriage! Businessmen destroyed their rivals and there was an
attempt made to explain HOW THEY DID! Sure the shows suffered from the usual
caveats of stretching the story well beyond its worth, annoyingly ending episodes
at interesting/suspenseful moments, adding random characters to increase
interest (oh-she’s-the-bastard-sister-of-one-of-the-lead-characters-and-the-character-has-decided-to-accept-her-as-her-sister-but-we-don’t-know-her-true-intentions-yet).
But I would like to believe that there was a genuine effort/passion that went
behind making these shows. Nothing earth shattering but good popcorn or rather chai-pakoda entertainment.
Anyway, this topic is highly rant worthy, so without further
ado, I am going to go ahead and enlist the good old shows from the early 90’s
cable TV.
DISCLAIMER: My
memory of most of these shows is pretty hazy and I’m too lazy to google the
depths of google. So if I’m factually wrong here, just let it go….Seriously….please…let….it…..go…..
Shrimaan Shrimati
This was a time when Archana Puran Singh
did not serve as the poor substitute to Navjot Singh’s boisterous laughs on reality
shows. This was a time when people knew who Rakesh Bedi was(in top form as the effeminate
husband of a popular actor). This was a time when the late Jatin Kanakia (one
of the funniest guys on TV) was still around. Whether you remember the show or
not, I bet you remember ‘Kokiji……’
Hum Paanch
Believe it or not but the reigning queen of
the hammy, OTT K-serials that we all love to cringe at, once made a really
funny TV show. While it’s slightly embarrassing to admit now, but I was a
regular viewer. The highlight for me was the impeccable comic timing of Ashok
Saraf as the father of 5 daughters each with her own idiosyncrasy. The lasting
memory of this show for me is Sweety, played by Rakhi Vijan, who would sing a
different Bollywood song each time she opened the door for a guest in the
house.
Teri Bhi Chup Meri Bhi Chup
Ok, shockingly, I couldn’t find a video of
this show on YouTube or even a relevant image on google. Was I the only one who
saw this show? This one worked for me purely because of the chemistry between
the late Shafi Inaamdaar (again, a great loss) and Bharti Achrekar. Their daily
husband-wife banter based on household/livelihood issues along with raising two
kids formed the crux of the show. Undoubtedly the cutest couple of 90’s
television.
Parampara
Man, was I hooked to this show! Again, didn’t
find anything relevant online to jog my memory but from what I remember, this
show was about joint family feuds that extended to the business in the form of
power games. The highlight of this show was Mohan Bhandari’s portrayal of
Naresh Malhotra (the primary villain of the show). He drank, he schemed, he
womanized, and he was rude and brash. Man, was he cool! This is the man who
taught me how to say, “Bloody hell!”
Hip Hip Hurray!
Ok, if my male friends are to ever find
this post, I’m going to get severe judgment for this! But let God be damned! I
was in my pre-teens/teens when this show aired and it had a heavy portion of
hot girls clad in short school skirts occasionally interrupted by some
semi-douchy guys! Watching this show was like sneaking a glance of desirable legs
while purposefully dropping your pen in class. Needless to say, waxed legs are
the only lasting memory I have of the show.
Banegi Apni Baat
I’m surprised of how very few people know
that the now globally celebrated Irfan Khan (one of my favorites) was once a
wife beater on television. I still faintly recall the disgust, fear and loathe
that he induced in me whenever he made an appearance. Looking back, I got into
the show due to avid interest my “I am too mature for my age” sister had in the
show and the avid interest I had in doing everything around the television. We
were definitely not of age to have watched this show that revolved around
mature concepts like college pangas, rich man eats poor man, marital problems
and obsessive lovers. What stood out for me was the stellar star cast that also
included R Madhavan, Varun Badola, Kalpana Iyer and Sandhya Mridul.
Andaaz
The beloved Hiiiimeesss bhai made his
musical debut in this show (from what I know). Again, a show with a stellar
star cast. Sudesh Berry. Enough said. This guy was seriously cool in the 90’s. The
angry young man. I’m slightly embarrassed to admit but I was a Sudesh Berry fan
boy. His style, voice, dialogue delivery…waaah waah kya baat. Navneet Nishan (of
Tara fame) was the main antagonist of this show. Now here was an ambitious
woman who would go to great lengths (often use her sexuality to manipulate the
men around her) to get what she wants, which was usually money and general
anarchy in her ex-husband’s (Berry) life. Now you tell me. Is there a single
character like her’s on TV now? One of the lasting memory of this show was how
Shekhar Suman wore no shirt inside his suit in almost all episodes and me
thinking: ‘Wow! That looks cool!!’. 90’s
was a very confusing time fashion-wise for me.
Just Mohabbat
Frankly, I wasn’t a huge fan of this show
and I thought the main character, Jay was extremely annoying. I’m still not
sure why people gave him so much bhaav. But the main selling point for the show
was its timing. It was cast Mon-Thursday at 4 or 4.30 pm. A time when most
viewers are in a very Schrodinger’s cat sleep state and are not very demanding
of their televisions,. As a kid, it served well to fill the time when you were
juggling your mom’s need of ‘You’re not going down to play without drinking
milk’ and your friend’s shouts of “NI……LEEEE….SSSHHHH” from downstairs. Lasting
memory is Saloni saying, “Jaaaaa….iiii…”.
Hasratein
Wow, now this one surely deserves kudos for
a brave story. Now this was a show where the central characters were a pair of
philandering husband and wife. Filled with a stellar star cast, this serial
rode on some good writing, unusual story ( for TV), and excellent chemistry between
the then married Harsh and Shefali Chhaya. Again, I was probably not of age
when I watched this, but it was TV drama at its best. They don’t make shows
like this anymore!
Woh
We all remember the Zee Horror Show’s and
Aahat’s of the world. While those shows had their horror moments (amongst many
comical ones), Woh was seriously scary! Starring Oscar nominated director
Ashutosh Gowarikar in the lead, the show was based on a clown that kidnaps
children in mysterious ways. I’m not sure if the show was cancelled or ended
soon, but either ways, I’m glad it ended on a high. Lasting memory: The
sleepless nights I spent after each episode aired.
Family no. 1
Two families are duped into taking a single beach
bungalow for rent, neither will back off so now they are forced to reside in
the house together. The comical attempts of each family to force the other out
of the house formed the premise of the show. Basically reverse Khatta Meetha
meets TV. The show proved that one doesn’t need loud background score or stupid
caricatures to evoke laughter. All one needs is the right lines in the right
situations backed by the right actors. Lasting memory: The sassy kid that
played Guttu. He easily had the best lines in the show.
Saturday, November 9, 2013
Guru
Like many avid cinegoers, I too have a long list of classic/cult
classics/all time great movies that I have heard people rave about but never
gotten to actually watch them (or in many cases, couldn’t complete them). Mother
India, Mackena’s Gold, Mughal-e-Azaam, Good Fellas, Raging Bull, Salaam
Bombay, China Town, Dombrivali Fast,
Bicycle Thieves, a lot of Hitchcock’s classics, Roja, Mirch Masala, No country for old men, Awaara, Amelie, Ardh Satya, My left foot,
Braveheart, Saving Private Ryan, Apocolyspe Now,...... and the list goes
on.... Until recently this list also included the likes of Star Wars series, Pyscho, Life is beautiful, There will
be blood, The lady vanishes, Godfather 2 and some others that I fail to
recall right now. I would say it’s been a great “movie classics catching up”
year. I partly owe this catching up to the fast food junk-esque cinema that has
been served by two of my regular movie eating joints: Hollywood and its Hindi
speaking Indian cousin, who shall remain nameless here. Primarily because I
want the readers of this blog post to gather around at cocktail parties, all
dolled up in suits and dresses, drinks in hand to speculate about the identity
of this mysterious and unheard of cinema! (Audience: LAUGHTER)
Two important additions to the list of classics that I added
to my movie watching history this year came from the same film maker. And to
that film maker, may his soul rest in peace, I write this ode. One of the several
that exist. One of the several that shall follow. The late Guru Dutt.
As I typed his name, the song from his movie starts playing in
my head.’ Dekhi zamaane ki
yaari....bichde sabhi....baari.....baari....’. Two of the greatest movie
watching experiences that I had this year was from watching Pyaasa and Kaagaz ke Phool. It was long due. I had been told by my aunts,
uncles, and friends, how truly fantastic Guru Dutt movies are and fortunately
like most things in life, this wasn’t hyped! I was awed. Not just by the emotional
quotient of the two movies which led me to tears, but by the brilliant camera
angles/placements, the music, Mohammad Rafi and Hemant Kumar’s soothing voices,
the dialogues, the performances, Waheeda Rehman’s beauty, the stories, the
direction and most of all the underlying message of the two movies.
While Kagaaz ke Phool
had its weak moments, Pyaasa was
simply flawless! I was engrossed in every scene of the movie. I can’t rave
enough about the songs-‘Jinhe naaz hai
Hind par’, ‘Jaane kya tune kahi,’
Jaane woh kaise’ (which I can’t stop
humming and is now one of my favourites). Not only did all the songs have
beautiful music, brilliant vocals, touching and thoughtful lyrics but were also
so brilliantly picturized. I only realized while watching ‘Hum aapke aankhon me’ that part of the picturisation of the song ‘Zooby Dooby’ from the movie, ‘3 Idiots’ is inspired from here.
While it’s tempting to go on and on about how both these
movies are rightly termed classics and how truly saddening the twilight years
of Guru Dutt’s life were, I labour on to keep on to the
true inspiration of writing this blog post. While enough people raved about all
aspects of Guru Dutt movies, I was dazed that nobody ever told me what a truly
fantastic actor he was! You know those people who command your attention when
they walk into a room? Well Guru Dutt is that to a movie frame! You cannot take
your eyes off. Not only was he incredibly handsome, he was a great performer
with excellent dialogue delivery, style and tone. Guru Dutt will steal
attention from co-actors even when they are ranting off and he’s quietly standing.
I can’t remember the last actor I saw
who had such immense screen presence.
I would like to take
a moment here to potentially re-define the term ‘screen presence’. I have heard
a lot of movie critics’ associate this term with actors like Salman, SRK,
Ranbir, Akshay etc. While I don’t intend to deny the screen presence of these
actors, in my definition the purest form of screen presence is one where the
actor has no cinematic props in the form of chest thumping dialogues, deafening
background score, camera close up, etc but still manages to grab your
attention. A true screen presence is one that commands your attention, not demands
it. It’s easy to grab eyeballs when you have heroic dialogues to mouth with
four item songs, bikini clad women around you and umpteen Madras cut action
scenes in the movie. Guru Dutt had none of those but yet had your attention!
The closest parallel that I can draw to him today is Irrfan Khan. Have you ever
wondered to yourself why he’s considered such a fine actor? Some of his most
prominent movies, Paan Singh Tomar,
Haasil, Namesake, Life in a Metro and Life
of Pi had him play some of the most commonplace characters. Can you mouth
any of his popular dialogues? Can you dance in his signature step? Can you
imitate him? (Apart from the signature “A
bhaiya.....”) Yet he’s usually the most memorable person in almost all the
movies that he stars in! He’s the kind of person who just creeps up into your
sub-conscious. Guru Dutt is all that and a tad more. While I still admire the
Amitabhs, Aamirs, Ranbirs and Hrithiks out there, I urge you to spare a thought
(in terms of actual movie watching) for the Sanjeevs, Irrfans, Gurus,
Iftekaars, Abhays, Daniels of the world!
But I digress. If nobody has ever told you yet, let me be
the first one. Guru Dutt was one of the finest actors of the Indian film
industry! And I say this after having watched only two of his movies (next in tow
is Sahib Biwi aur Ghulam). And if you
don’t believe me, believe CNN! To sum up, I say watch
Guru Dutt movies not just for the movies but for the man himself! RIP Guru.
Thursday, August 22, 2013
Jobs vs. Bhaag Milkha Bhaag
Granted.
At first glance, the title of this post looks ludicrous. Jobs vs. Bhaag
Milkha Bhaag (BMB)!! Is there even a comparison? Or is it that ridiculous? I
mean neither of the movies is a classic by any standards. They did decent
business on the box office. Got mixed reviews. So I would say making a
comparison would be fair. If we are to compare the two movies on comparative box
office performance, critics reviews, audience reviews, delivery on what the
trailers promised, BMB is the clear winner. Sure Jobs will earn or probably
already has earned more money than BMB since it’s produced by a Hollywood
banner.....has a much wider audience considering that it’s in English....which
is the global language.....more people watch Hollywood movies......Jobs is nothing
short of a tech God and global icon.....blah blah blah.....
But the point I am trying to make
here does not relate to the success of the two movies. Nor am I a film scholar
to compare the technical aspects of the two movies and give a verdict. And I am
definitely not comparing the achievements of these two great men and say who’s
better than the other or has achieved more. They are both achievers in their
own right.
The point I am trying to make here
is that the Indian film industry (or at least the Hindi film industry) has not
yet cracked the biographical movie code. Well maybe that’s too dramatic a
statement and an over –simplification. A number of movies based on real
life events/people have been made in the past few years. Sure, some of them like
The Dirty Picture (TDP), Bose, and Guru had good performances and were engaging
and were critical/box-office successes. But the question I want to ask here is,
do they succeed as biographical movies? Do you while watching the movie feel
like you are a part of the protagonist’s life? Does the movie stay with
you when you leave the theater? In my opinion, the true motive of making a
biographical movie is to bring forth to an audience, the extra-ordinary life of
a person in an engaging and entertaining manner. I say entertaining manner
because unlike a documentary that usually presents facts about a person’s lives
to an audience and is not necessarily meant to entertain, a film is meant to do
just that!
Movies like BMB, TDP, Guru though
good are let down by the song and dance routine and over-dramatization of
scenes which are typical of Bollywood movies. I strongly feel that biographies
are one genre of movies where the song and dance routine and typical Bollywood
masala should be done away with. I mean really, did we need to see Dhirubhai
Ambani sing and dance??
Of the two movies I have seen
recently, Jobs and BMB, I knew almost everything about Steve Jobs and almost
nothing about Milkha Singh. On paper, I should have liked BMB more than
Jobs. But in reality, despite what critics say, Jobs was far more engaging.
It’s not to say that Steve Jobs’ life is any more interesting than Milkha
Singh. It’s just that in Jobs’ case, the movie beautifully cuts you off from
2013 and puts you in Silicon Valley circa 1970s and brings you all the way back
to 2000s. It convinces you that the actors you see on screen are the world’s
most iconic nerds that we have read about. With BMB, in parts yes, one does
believe that it is indeed Milkha Singh that you see on screen but the tone is
broken by all the razzmatazz. Scenes like the one where Milkha goes back to his
village in Pakistan or the one in which his father is massacred in a very Lord
of the Rings/Harry Potter-ish motif make you feel the story is more fictional
than biographical. To quote one of the reviews that I read, Milkha Singh
deserved a better biography.
I think what
most film makers that make biographies in Bollywood struggle with is running
the thin line between making a biography that’s commercial (TDP, Guru) and one
that’s more documentary like (Bose, Sardar). Very few film makers have been
able to put forth biographies that show you a glimpse into a person’s life
without inspiring snores out of you. A special mention here for
Harishchandrachi Factory and Paan Singh Tomar (PST) both of which I thought
were brilliant movies. Both movies threw aside the song and dance routine and
unnecessary dramatization for a simple screenplay that made you feel for the
protagonists.
I hope the
movies on Mary Kom and Kishore Kumar that are due to come out in the next 2-3
years will do better justice to the people that they represent. But frankly, I
doubt it!
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